Thor: the Dark World Review

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Before I say anything, know that I haven't been disappointed by any of the movies in the Marvel Cinematic Universe. So when I say that Thor: The Dark World is way better than the original Thor, I want you to understand that I'm not hating on the original; the second is just so good!

I think that part of it is that in the first movie we watched him wandering around on Earth for quite a while without his hammer, which really isn't as cool as watching Thor bringing order to the nine realms and celebrating with his fellow Asgardians. The enemy he faces is also much more high-stakes than before, even when compared to The Avengers. This is only possible because they largely moved away from Earth in this movie, though it does play a large role towards the end.

We also get to see a lot more of Thor's family, and how Loki's actions during The Avengers are affecting all of them. I can appreciate them all more now as people, which is always a critical part in how much I get invested in a story.

Speaking of getting invested in a story: as with any action movie, tons of people die during the huge battles that take place. But it isn't often that an action movie takes the time to have a memorial scene for the characters they just killed, and it really touched me.

The movie also doesn't disappoint from a comedy standpoint. There were plenty of good one-liners and hilarious moments of character interaction that even had me laughing the second time I saw the movie.

Overall, definitely a worthy addition to the Marvel Cinematic Universe.

Dishonored: Knife of Dunwall, Brigmore Witches Review

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Dishonored was one of my favorite games from last year; when I heard that they were coming out with DLC that would expand on the story, I was super excited.

As you know, at the beginning of Dishonored the Empress was assassinated. In these DLCs you are playing as Daud, the guy who assassinated her. It picks up soon after the assassination, when the Outsider pays Daud a visit and tells him that important things were happening with someone named Delilah. Over the course of the two DLCs this vague hint plays out into a conspiracy that threatens the entire empire.

Daud of course has many of the same powers as Corvo, with a few additions. The most notable is that he can call in a fellow assassin to help him out. I personally did not use that power because I was going for a low chaos playthrough. I thought it was very clever of Arkane to introduce Daud as the player character. No matter how you played the main game, you could justify playing Daud however you wanted. He is an assassin, so going high chaos makes sense; on the other hand, maybe he is tired of killing and is looking for redemption. I of course followed the latter course.

Each DLC has three chapters and took me over five hours to play, so price-to-gametime it is very reasonable. The Knife of Dunwall of course ends on a cliffhanger, which confused me at the time because I didn't know that The Brigmore Witches was coming as well.

Delilah, as it turns out, is another individual who has been given powers by the Outsider. Like Daud, she has a lot of followers who she shares some of her powers with. This only comes into play in the final couple of maps where you have to contend with people who can teleport.

Well somebody had to eat the babies.

I wanted her to be comfortable when she wakes up.

I'm really glad that Arkane gave us the opportunity to flesh out Daud's character and learn more about him. It gives the decision I made in the core game a lot more meaning. If you enjoyed Dishonored at all, you should definitely get The Knife of Dunwall and The Brigmore Witches.

Lords of the Sith Review

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Surprise, the Star Wars universe has another book out! Actually, by the time I finished reading Lords of the Sith, they came out with yet another book. Today I'll be focusing on three things: how good a book is it; how important it is in the Star Wars universe; and how important it is as a cultural artefact.

So, is it a good book? I enjoyed it! It had a logical plot of events, and remained focused around them. I never felt like the book was dragging on. The book switched perspectives throughout, showing the events from the point of view of all of the major characters. This was both a blessing and a curse: I found it refreshing to get in the minds of so many characters, but as a result there were almost zero surprises or plot twists.

One aspect that was a mild surprise was the fact that we finally get to see Darth Vader exercising the full extent of his power. I've always felt like Vader was overrated in pop culture, because we've never really seen him do anything really impressive. This book along with the ongoing Darth Vader comic book has rectified that issue. On the other hand, I have now come to the conclusion that Vader never got over his melodramatic teenager phase. Seriously, look at this sentence about how he felt being attacked by a predator: "None penetrated his armor, and what little pain they managed to inflict could not surpass the pain he carried always within him." And Vader isn't the only one; at one point the Emperor chooses aliases for himself and Vader, and "other than the Emperor, only Vader knew the false names were ancient Sith words that meant 'death' and 'fate.'"

My biggest criticism of the book is that it gets very repetitive in its wording. Kemp uses the same phrases multiple times to describe similar situations. For example, during a single battle scene we might get three or four instances of "Vader fell more deeply into the force." Or when describing interactions between Twi'lek, he talks about their lekku twitching in excitement or their skin darkening in embarrassment.

Another issue I had was that some of the information about events seemed inconsistent. This included things like a character being ordered to do something, but on the next page she was doing something else and a different character was doing what she had been ordered to do. Another example was the body count in Darth Vader's group. I became very confused when there was suddenly one more character alive than I expected.

On the other hand, there were some very clever moments in the book. In particular I enjoyed an insult I had never heard before: "you speak as though all your words had a serif." It's a good insult, but it's also hilariously hypocritical.


Those were all things that a general audience would care about in a book. But what about the dedicated Star Wars fan? Well, Lords of the Sith does fill in some of the large gap between Revenge of the Sith and A New Hope, showing us a resistance movement that existed before the rebellion really got started. It seems like this is a similar purpose to that of Star Wars Rebels, though the Free Ryloth movement in Lords of the Sith seems to operate on a much larger scale. I don't want to spoil anything, but they accomplish something that according to one character had never happened before. That being said, nothing that happens in this book are huge, galaxy-changing events. Think of them as B-level events.

Kemp ties things in nicely to other pieces of Star Wars lore. Cham Syndulla is a major character in Lords of the Sith; he first appeared in The Clone Wars, and his daughter Hera is one of the main characters in Rebels and A New Dawn. Darth Vader also does a lot of reflecting on his past, which we all know about very well. I appreciate these references, because they give a greater sense that all these works exist in the same universe.


And finally, how does Lords of the Sith hold up as a cultural artefact? What are the values it promotes? It is significant in that it is the first time that we get an official LGBTQ character in Star Wars canon. The presentation of this in the book was exactly as I would hope: it wasn't even presented as an issue. None of the characters in the book thought it was odd, and she was even an Imperial Moff, so we know that it isn't a controversial subject in the Star Wars universe.

Cham Syndulla is a great example of a fighter whose principles guide his actions. Far too often we see situations presented with such high stakes that everyone accepts that the ends justify the means. Sometimes they bring up the issue of "if we do this, we're as bad as the enemy!" but usually in those cases another solution presents itself. Here, Cham has to do the best with what he has. I'm really happy to see this. Next I want to see pacifism portrayed in a positive light in Star Wars.


As I said, I really enjoyed Lords of the Sith. It was funny at times, some awesome feats were performed by Vader and the Emperor, and it moves the Star Wars franchise forward in the social progressive front. It has its flaws, certainly, but the book moves fast enough that you will quickly leave any subpar sections behind for more exciting things.

Brothers - A Tale of Two Sons Review

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I recently became interested in getting a few controllers with the intention of playing local multiplayer games with friends when they come over. A happy side effect to this is that I can also play games that are better suited to a gamepad than mouse and keyboard.

Brothers - A Tale of Two Sons has a very good reason for requiring you to use a controller; it is a single player game where you control two characters. The control scheme is very simple on paper: the older brother moves with the left analog stick and interacts with the left trigger, and the younger brother moves with the right analog stick and interacts with the right trigger. In reality it is very easy to get them mixed up, especially when the older brother ends up to the right of the younger brother. Luckily any time there is a puzzle element that requires each brother to be in a particular spot, the younger brother is almost always to the left of the older brother.

The puzzles almost always involve the two brothers working together, and more often than not they utilize each of their unique skill sets. For example older brother can pull heavy levers, and younger brother can slip through narrow bars. The puzzles are usually not very difficult to figure out, and very rarely are they a test of the player's finesse. This means that from a gameplay point of view, Brothers is entirely counting on its unique core concept. Luckily it is a short game (about three hours) so the novelty does not have time to wear off.

The story is another strong point. Everyone in the game speaks a fictional language, which leaves only the character's body language and tone of voice to convey their message. The result is that you usually have a vague idea of what they are saying, but a very clear impression of the emotions they are feeling. The brothers' journey begins when their father falls ill and they have to travel to a presumably magical tree to retrieve an antidote. On the way they encounter many people and creatures both magical and mundane. A lot of time they need help of some sort, and the brothers come to their aid. Some of these are required to progress through the linear game, but others can be found just off the beaten path. It is worth noting that none of the achievements are awarded for progressing through the main story, but none of them are very difficult to get.

The writers attempted a few plot twists, but for the most part I saw them coming a long way away. There were some genuinely sweet moments, and some that took my breath away. My favorite was the hang glider flight, which was delightful. It felt like the cumulation of the wonder found in the world, and the musical crescendo was the most memorable in the game.

I encountered a couple of bugs that involved certain events not triggering properly or the enemy AI failing to react to the brothers properly. Both were solved by restarting the game. The most amusing bug was the fact that half the text in the credits was cut off my first time through. None of these were crippling issues.

Brothers - A Tale of Two Sons takes a unique idea and uses its novelty to great effect. It also does not overstay its welcome, ending before things get stale.

Telltale's Game of Thrones Episode 1 Review

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I have become a big fan of Telltale's interactive story format, but this is the first time they have made a game in a franchise that I am already invested in. And it makes a world of difference. Even though Game of Thrones tells the story of a relatively minor house that has not appeared directly in the books or television show, I am already well acquainted with other characters and the politics of the world. This gives me a framework from which to base my interactions with these characters. Even if you are new to the series, they do a good job introducing characters with really obvious clues about their true nature. But really, you should read the books up through A Storm of Swords or watch the show up through Season 3. Speaking of which, they have all the same actors voicing their characters from the show.

Now let's talk about the characters they have created specifically for the game. House Forrester seems to have been written very similarly to House Stark. They are from the north, they are honorable, and their members have been flung all over the world. It is obvious why they did this: everyone likes the Starks, and Telltale wants the player to like the people they are playing as. I'm a little disappointed that they couldn't find a better way to do that than to follow an established formula. Much like in the books, there are multiple characters whom the player controls. This is where having the characters flung across the world comes into play. As in the books or the show, there are quite a few characters to keep track of, so I recommend going into the game's codex before you start playing so you aren't totally lost.

While reading A Song of Ice and Fire, I had gotten so used to George RR Martin's tendency to pull the rug out from under the reader that I could predict when bad things or good things would happen. Thankfully the writers at Telltale didn't follow that formula, so I was legitimately surprised a few times throughout the episode.

The art style is gorgeous to behold. I was expecting it to be cel-shaded like their last four games, but instead everything looks as if it could be straight out of an oil painting. Objects in the background become slightly blurred, and characters' faces have a curious texture. The border between foreground and background objects had a strange shimmer where the blurring ended, which was a little distracting. But does it look good in screenshots or what? By far Game of Thrones is the best looking Telltale game to date.

The gameplay has moved farther away from puzzles and action sequences than even The Wolf Among Us. Carefully choosing dialogue options is the only meaningful action the player makes. If you do the wrong thing during one of the few action sequences, it is simply game over. It is quite difficult to fail that way, but I giggled at the game over screen.

I don't remember caring this much about the characters' lives I am affecting, even in The Walking Dead. I was so conflicted during dialogue that I sometimes let the time run out accidentally. If Telltale can keep up this level of quality, Game of Thrones will easily be my favorite game of theirs, and probably my favorite game of 2015. Iron from Ice!

Monument Valley: Forgotten Shores Review

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It's high praise to say that you wish a game was longer so you could play more of it, but many times you will never get the opportunity to do so. Fortunately for fans of Monument Valley, ustwo were listening.

Forgotten Shores brings eight new levels to the game, almost as many as the original release. Of course quantity is not everything, so it is a very good thing that Forgotten Shores improves on the original in many ways. There are new puzzle mechanics and architecture types. I thought that my mind had been blown as much as it could, but every level in Forgotten Shores had something new to amaze me with.

They also upped the emotional impact, but of course I won't spoil it with any more details than that. It was a surprise to me, and it would have meant a lot less if it had not been a surprise.

In this case the floor really is lava. Or is it magma?

My biggest praise for Forgotten Shores is that it makes Monument Valley feel complete now. If you at all enjoyed Monument Valley, Forgotten Shores is a must-play, It's available as an in-app purchase on all platforms the original is on.

Codename Cygnus Review

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I wouldn't blame you for thinking that radio dramas are a thing of the past. Is A Prairie Home Companion even on anymore? Oh, it is. Anyway, the closest I have been listening to in recent years is Welcome to Night Vale, hands down the best podcast in the world. But if you put the word "interactive" in front of any old-fashioned concept, it suddenly seems modern and cool. So when I found out that interactive radio drama is a thing I was pretty excited.

Codename Cygnus is an interactive radio drama where you play the role of a secret agent. It is full of hilarious spy tropes, and isn't ashamed of it. The story is conveyed through excellent sound effects, dialogue of other characters, or the narration your handler provides. The writing and voice acting were good most of the time. The highlight for me was that Logan Cunningham appears as a villain.

Whenever you get to make a decision, your handler will ask you which option you want to take. They often come with the unspoken question: what kind of agent are you? I of course went with the charismatic approach whenever possible.

I thought it was a little odd that the player takes on the role of the agent directly. Being that you get all your information audially, it would have made more sense if the player was the handler, and simply gave suggestions to the agent. Then the agent would have to have a voice though, and probably a predefined personality. Perhaps their current approach is actually best, even though it does not make sense for the handler to be describing to the agent what is happening around the agent.

Now, you could use your fingers to tap the option you wish to choose. But touchscreens are so 2007. The real way you should be playing is by speaking your decisions. Their voice recognition is quite good. It never mistook my decision, though sometimes I had to say "clever" several times before it registered. The other technical hiccup that I found is that it does not play when the screen is locked. I would love to be able to play while walking to school, but keeping the screen on in my pocket would be too much of a battery drain.

Update: According to Jonathon Myers (ZOMG I got an email from their CEO, how cool is that?) the iOS version presents itself as a media player, so you can play it with the screen locked. On the Android version they have started experimenting with the transcription that writes as you play, so until they implement a toggle to turn the text on/off the screen has to stay on. I do notice that you can go to a different app and it will continue playing though.

So far they have one mission out, which consists of five episodes. Each episode lasts 15-20 minutes. However, with so many different choices available, I will likely play the mission several more times to see everything. I would say that a reasonable price for a mission is $5. Of course the prologue is free, so check that out if you're not sure if this kind of thing is for you. Available on Android and iOS.

I am excited to see where this medium goes in the future. In particular I was happy to hear that they hired Dave Grossman, who has written at LucasArts and Telltale. Who knows, maybe they will use the framework they already created to branch out into other kinds of stories. Maybe in the future I will get to be a detective in Lake Wobegon.

Atari: Game Over Review

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I'm a big sucker for a good documentary, but of course not all of them are created equal. The best ones will focus on the human stories embedded in whatever overarching topic the movie holds. Fortunately, Atari: Game Over does just that.

If you are even a little into video game culture, you have probably heard of the infamous ET game for the Atari 2600 and its reputation for single handedly bringing about the video game crash of the mid 80s. Part of the story is that Atari had so many of these games unsold that they took them out somewhere in the middle of the desert and dumped them in a landfill. For a long time I thought this was an urban legend, just like I thought that Battletoads wasn't a real game. But then news started popping up about a filmmaker who wanted to excavate the landfill where the cartridges apparently resided.

The documentary itself is well structured. It switches back and forth between describing the company culture at Atari at the time, and recounting the search for the location of the cartridges in the last few years. It is a very positive look at the people involved, in particular the game designer who made ET in five weeks. Watching the footage from the day of the excavation makes me wish I had been there to witness the event. It was very emotional for those involved, in particular the game designer.

The best part about it is that it is available for free! Right now it is only available through Xbox Video (don't worry, you can watch it on the web; you just need a Microsoft account) but I suspect that later on it will make its way to other platforms.

TwoDots Review

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TwoDots takes the game mechanics of its predecessor and applies them to a puzzle game instead of an arcade game. Instead of playing on a randomized field and trying to get a high score, TwoDots features multiple levels with set goals to accomplish. There are several different themed chapters, each of which introduces a new type of goal: in the sea chapter you have to drop anchor dots to the bottom of the grid, in the snow chapter you have to break ice blocks, etc. After introducing the new mechanic, many levels combine multiple different mechanics to make things interesting.

It is an incredibly cutesy game, with a catchy tune that didn't get old for me, and satisfying sound effects to accompany each action. As you scroll through the overworld, objects move in response. Think about your favorite example of parallax scrolling and you will understand how great it feels.

Each level of course gives you a rating on how well you completed it. This score, as well as how many levels you have completed, can be compared to your friends. It uses Facebook, which is nice because I do not think that any of my Android friends have played yet. On the other hand, now I am comparing my score to people who I have not talked to in ages (one of them went to elementary school with me, still not sure why we are friends on Facebook).

Up until now, everything has been sunshine and roses. Unfortunately, they drop the ball in a way that is very important to me. The game is monetized through in-game power ups. For example, you have five lives, losing one whenever you fail a level. They regenerate one every 20 minutes or you can pay a little money now to keep playing. When you fail a level, they will offer you five more moves and an item that will solve all your problems for only a dollar!

I absolutely refuse to beat a puzzle game by paying money, but I cannot be sure that the people on my friends list have the same philosophy as I. So now I am left wondering what is the point? I can succeed at this game "honorably," but how can I know that anyone else has? For that matter, how does anyone know that I did? As a result every time I play I can't help but hate myself a little.

A side effect of this is that I have now realized that the original Dots suffered the same problem, though it was not quite as obvious. Over time it became more difficult to earn power ups solely through playing, and if you wanted to beat your friends at it those power ups were crucial. Both games are pay-to-win, and I am done with them.

Tarkin Review

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You know what they say about villains- nobody thinks of themselves as the bad guy. And then they go and throw a character at us who is willing to blow up an entire planet. A planet that has no weapons and had been a member of the Empire and formerly the Republic since its inception. Seemingly for no other reason than he was interrogating the senator from that planet, and it was a convenient target. How can someone like that not think of themselves as a bad guy? Read Tarkin and find out.

It is amazing how Luceno manages to take everything that Tarkin does, all his motivations and rationales, and makes them seem perfectly reasonable. I had never thought much about the character before. In A New Hope he simply struck me as an overconfident monster. Now he is one of my favorite characters in Star Wars, and it is all thanks to this book.

Part of it is that I always reading stories from the perspective of tactical geniuses (Grand Admiral Thrawn, anyone?) and part of it was learning about Tarkin's childhood through flashbacks. Not only are battles fun to experience from his perspective, but the wider mystery that they were attempting to solve throughout the book had me trying to think ahead and figure out what was going to happen. The flashbacks were extremely important in shaping who Tarkin is and how he reacts to various situations. The final flashback was hinted at throughout the book as something to look forward to, and it paid off satisfactorily.

As it turns out, Tarkin is a classy and polite individual. I remember him having a total of one argument in the entire book, and that was because the other person was getting in the way of Tarkin doing his job. Look, now even I am making excuses for him. But seriously, he was even polite to his enemies. Oh, and have I mentioned that the very first conversation in the book was about Imperial military fashion? Yeah, it includes this gem: "There is a marked difference between a uniform that 'fits' and a uniform that suits the wearer."

It was great getting to see Tarkin and Vader working together before they knew each other well. There were references to events in The Clone Wars (which I have not watched yet) but it did not affect my ability to appreciate their working relationship. In fact, it made me more interested in finishing that show.

Much more than A New Dawn, this is a book that I can recommend even to people who are not diehard Star Wars fans. If you have at least watched the movies you will appreciate this look inside the mind of one of the series' more iconic villains.

A New Dawn: Star Wars Review

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This first paragraph is a bit of a rant about Star Wars Legends. Skip it if you only want to know my thoughts on A New Dawn.

April 25th, 2014 was a surprisingly important day in my life. On that day the Lucasfilm story group changed the definition of what is canon and what is not in the Star Wars universe for good. I was extremely unhappy with the announcement, in ways that would seem irrational to most people. You have to understand, though, that a huge portion of my childhood has revolved around reading as many Star Wars novels as I could get my hands on. My brothers and I can talk for hours and hours about all of the things we have read in the Expanded Universe. Before April 25th, 2014 if you asked me who my favorite Star Wars character was, I would have immediately said "Grand Admiral Thrawn." Now I don't know. None of the characters that appeared in the movies even came close. Imagine a historian who dedicated their life to learning all they could about a particular area of the world in a particular period of time. They are one of the world's foremost experts on the subject. Suddenly a document is uncovered that reveals almost all of the materials they studied up to that point are false. How would you feel as that historian? I suppose there is a bright side to this whole situation: for the first time in my life I actually have a chance of catching up on everything that officially happened in the Star Wars universe. Because of that motivation, A New Dawn is the first Star Wars novel I have read in years. So let's get into it.

Efficiency is a prominent theme in A New Dawn, and this extends to the book itself as well. It uses its time well: the story never gets bogged down by unnecessary details, all of the characters introduced have important parts to play, and all of the events that occur are there to move the plot forward. It was refreshing to read a book that took this approach, but there are a few side effects as well. For example, knowing that everything is important allows the reader to know several characters' secret identities well before their "big reveal". Or any time something seems like a strange coincidence, it most assuredly is not a coincidence.

The cast was fairly diverse, and most of them were interesting characters. Among the four main protagonists, half were female (in total it was a little less, five women to eight men), half were not human, and one was an amputee. I was quite pleased with Hera, a strong female lead who had her own goals and agenda and saved Kanan at least as many times as he saved her. I was significantly less impressed with Kanan: haven't we seen enough ladies' men with a penchant for drinking who pretend not to care about anyone in Star Wars?

I am having a hard time figuring out what age group this book is meant for. The supposed mysteries that were so easy to figure out point towards a younger teen audience. But then Miller goes and uses words like "coruscating" and "perdition" which I have never seen before. There is a very silly notion of what falling in love entails (Kanan hears Hera's voice and immediately his only goal in life is to find out who that lovely voice belongs to). But then there is the savage violence displayed by Count Vidian. I suppose I was reading more intense stuff at that age, but maybe I should not have been.

Should you read A New Dawn? That entirely depends on how much you care about Star Wars. It is a good book, but not really a must-read for those who do not care about keeping up with everything going on in the galaxy. It is meant as a setup for the Rebels show that just started, though I doubt you will be lost if you just start watching the show without reading.

A Storm of Swords Review

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One thing that people usually notice about a book right away is how long is. However, I got the first four books in a pack digitally, so I had no idea that A Storm of Swords is a whole third longer than the previous two books. Fortunately, the book does not slow down in the middle the way A Clash of Kings did. The momentum was maintained mainly through major character deaths, some false character deaths (making the reader think someone died when they did not), and an ever-increasing sense of the bigger picture and more impressive feats of magic. Martin still leaves enough time between each cool use of magic that each one is surprising and delightful. Kind of like how the Force seemed so much cooler in the original trilogy, before we had tons of Jedi running around using the Force willy-nilly.

I believe that this marks a turning point in the series when the conflicts that were focused on before no longer seem as important, and the real threat is revealed. It was also a turning point for many characters; some became more courteous, some discovered bravery, some became accustomed to killing, and many accepted their destiny and made difficult life decisions against the will of those who were trying to influence them. I finished the book with a wildly different opinion of most of the perspective characters than I started the book with. As someone who enjoys character development more than anything else in storytelling, I appreciate this.

In the past the multiple perspective characters served the purpose of allowing the reader to know what was happening in different parts of the world. For the most part there was one perspective character per location. A Storm of Swords changes that by moving characters around and sometimes showing the same events from different perspectives. The first few times perspective characters came near each other I giggled to myself because they often had no idea how close they were to each other. Over time however it became the norm.

After reading three of George RR Martin's books in a row I have become quite accustomed to his writing style. For one thing, it has become quite obvious that he loves building one expectation for a situation and then completely changing the outcome at the last second. As a result, whenever a character I care about seems to be in dire peril I relax because I know they will probably get out of it unscathed. On the other hand, if things have been going well for someone for a while, I start to get tense because I know it will not last long. I have also noticed several phrases that Martin uses a lot. The one that really started to bug me was "half a hundred". Whenever there were a large (but not overwhelming) number of countable objects, someone would remark or think to themselves that "there must be half a hundred of them."

One running joke that I found odd was the song "The Bear and the Maiden Fair." I do not remember anybody mentioning the song in either of the previous books, but suddenly everyone seems to know it. Any time someone sings, there is about a 50% chance that it will be "The Bear and the Maiden Fair." It was funny, but I don't understand how it goes from nothing to #1 pop song in Westeros when they don't have mass media.

Despite its length, A Storm of Swords is my favorite book so far in A Song of Ice and Fire. Because of its length though I think I need to take a break from the series to get caught up on Star Wars novels. Shouldn't take long.

Badland Review

Note: this blog has been migrated to Medium, with the articles here available to preserve permalinks. Please see this post at https://medium.com/@ianrbuck/badland-review-aeeacdc45acd#.3zp0gha3f

At first glance you might want to call Badland an infinite flyer. But there are enough major differences that I do not think it quite fits. Much like infinite flyers, you have one basic control: touch to fly up, don't touch to drop down. However, in most infinite flyers touching anything results in death. In Badland there are many things that will kill you, but usually the floor and ceiling are safe bets. Instead the game is based around set obstacles that you must get past.

There are two main ways to lose. Contact with objects like saws, lasers, or getting squished between two otherwise harmless objects will kill you. Falling behind the camera also results in failure. Usually the camera continues forward at a slow but unstoppable pace. There are exceptions, like during maze sections where the camera will kindly wait for you to complete the puzzle. Failure is not the end of the world like most infinite flyers. Instead the game is riddled with checkpoints, usually placed right before each obstacle or puzzle. Badland spices things up with power ups found throughout levels. Some make you smaller, some bigger, some bouncy, some sticky, etc. Usually they are strategically placed to help you get past the next obstacle. As with any good puzzle game, Badland takes the limited number of different elements and combines them in new, more challenging ways as the game progresses to keep itself fresh.

I have never played a game with a setting quite like Badland's. It is a jungle world with pieces of abandoned advanced technology lying about. You see this world as a small creature trying to survive the day in this deadly world. The art style does a great job of presenting this beautiful world. The backgrounds are vividly colored, seemingly handpainted panoramas of huge objects in the distance. The objects in the foreground (as in, everything that you interact with in the game) are almost completely black. You might think that the background would distract from the important objects, but it did not. In fact, I only noticed things in the background if I was in an area with a lull in obstacles. I started to imagine what kinds of events might be happening on this world, what awesome sci-fi adventures were happening that my little fuzzy animal was completely unaware of. I also thought about all the hilarious ways that this little animal's journey might be inadvertently affecting the world around it.

There is no soundtrack to speak of in Badland. Instead, ambient jungle sounds permeate quietly throughout. Many obstacles make sounds, such as the buzzing of a saw or the sizzle of a laser. Honestly I did not miss the existence of a soundtrack until I looked in my humble library and realized that the game came with no music.

There are 70 levels, divided into different times of day. They of course get progressively more difficult. There are also goals besides simply reaching the end of a level. Throughout many levels you can get power ups that clone the little creature. The more clones that make it to the end, the better. It becomes very difficult to keep them all alive however, because they all obey your command to go up or down at the same time. Each level has three different objectives to complete, such as saving a certain number of creatures or collecting all the power ups in the level. It is the kind of game that I have enjoyed completing, but I doubt I will ever fully beat it.

There is also a hilarious local multiplayer mode where up to four people control different creatures making their way through the same level together. It is competitive, so whoever makes it farthest wins. This multiplayer mode works best on larger screens, and it is the first game that I can think of that makes perfect sense to play on Android TV.

I would say that a reasonable price for Badland is $4. Those of you who enjoy a challenge will get more out of it, but everyone should be able to enjoy the atmosphere in the first 30 or so levels, as they are not too difficult. Grab it on Android, iOS, Windows Phone, or Blackberry.

Assassin's Creed Pirates Review

Note: this blog has been migrated to Medium, with the articles here available to preserve permalinks. Please see this post at https://medium.com/@ianrbuck/assassin-s-creed-pirates-review-77b5329246d4#.hfk1rws3v

Out of all the AAA games I have played that were adapted to mobile, Assassin's Creed Pirates is by far the best. Of course, all the other ones were terrible, so it did not have a very high bar to clear.

Pirates seems like a winning strategy: what did everybody love about Assassin's Creed III and Assassin's Creed IV? The naval battles! So let's make a mobile game with just naval battles. Out of necessity you only ever control the ship as a whole. No freerunning, no boarding ships, no cutscenes. The reason for this is twofold: the controls would be impossible to implement well, and mobile devices would not be able to render characters' faces with enough detail. This was a smart decision, as everything they left in the game can be done well. It is one of the most visually impressive games I have played on my phone, and the controls felt natural for the most part.

That being said, there is a big problem: the game just isn't that fun. Sure, there are lots of different activities to do, like hunting down cargo ships, fishing, rescuing slaves, retrieving packages, and racing. But none of them drew me in, none of them felt like they were worth my time. It is a massive game (1.01 GB!) with tons of maps and many chapters to the story. And Ubisoft should be commended on supporting the game after launch with new maps and stories for fans to play through. I just can't imagine pushing myself to sit through it all.

The game tries to reward you with collectible treasures and daily challenges. It even sends you notifications if you have not yet played today, which is unacceptable. After a few days I just wasn't interested. I didn't care about any of the characters, and I didn't care about the special items they were hawking. The game is supported by selling in-game gold (ranging from $1 to $100) which does not rub me the right way. It would take a long time to accumulate enough gold without purchases to buy anything useful.

If you really want to check it out and you have the space on your device, it is free on Android and iOS.

Smash Hit Review

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Smash Hit is an arcade game that tasks you with traveling as far as you can down a path riddled with glass obstacles. In order to get past these obstacles you have to throw metal balls at them to (you guessed it) hit and smash them. You have a finite number of balls, and the game ends when you run out. If you fail to smash an obstacle before running into it, you lose ten balls. To replenish balls you must smash crystals as you pass them.

The game adds complexity through different types of obstacles. Each stage of the game has a theme, with similar obstacles showing up together. The stages also serve as checkpoints: once you have completed a stage, the number of balls you have is saved. From the main menu you can start any stage that you have reached previously. There are eleven stages, and once you have completed them all you gain access to endless mode.

Power ups also add a layer to the game. Each power up is suitable to a different situation. Some slow down time, some allow you to throw a rapid fire stream of balls, and some make your balls explode on impact. Figuring out when to use each is not difficult, but it is important.

They have added several difficulty levels, each of which has separate progression (but only Classic and Mayhem have leaderboards). This gives the game replayability through added challenge. There is also an extensive collection of achievements to strive for.

I have become quite enamored with arcade games on mobile. The genre fits well for three reasons: they tend to be easy to learn but difficult to master, they can be played in quick sessions, and comparing high scores with friends is much more reasonable than real-time multiplayer. Smash Hit hits most of those categories on the nose. The only exception would be quick sessions; checkpoints are several minutes apart, meaning that I only start up this game if I know I have some time to spare.

The free version of the game only includes Classic difficulty and does not include checkpoints, essentially making it a demo version of the game. So don't take my word for it, go check it out on Android or iOS. The premium version is well worth the $2 they ask for.